An acousmatic composition exploring quantum rhythm through algorithmic processes and granular synthesis. This work investigates rhythm as a quantum field of flux and vibration rather than a regular pulse, creating immersive sonic environments where percussive elements behave as emergent phenomena.
A multichannel acousmatic composition for dance and performance, spatialized for 7 loudspeakers and 2 subwoofers. Created through the European Union's MODINA initiative in collaboration with choreographer Christine Bonansea Saulut and media artist Chris Ziegler, integrating motion capture and VR technologies.
A multichannel sonic architecture composed for 48-channel loudspeaker orchestra or high-order Ambisonic environments. The work utilizes real-time data from commercial and military satellites, transforming them into non-human performers that directly shape the composition's progression and texture.
An acousmatic work and installation that translates the SARS-CoV-2 RNA sequence into music through algorithmic sonification. The virus's genetic code generates MIDI and control voltage data, driving synthesizers to create post-industrial textures and polyrhythms that sonify molecular processes.
A diptych of multichannel acousmatic works ("Apoapsis" and "Periapsis") that sonify real-time orbital data from military and commercial satellites. Developed during an artistic research residency at ZKM | Hertz-Lab with support from the European i-Portunus programme and Fundação para a Ciência e a Tecnologia (FCT).
An interactive AI sound installation developed at ZKM | Hertz-Lab that transforms listening into navigational agency. This generative, non-linear sound ecosystem allows audiences to actively reroute compositions in real-time using mobile devices, collaborating with AI-driven voices, granular synthesis, and planetary field recordings to co-create an ever-shifting auditory topology.
A spatial sound composition created for 48-channel immersive performance at ZKM Karlsruhe, functioning as "gravitational resonance in the architecture of space-time." This work translates cosmic phenomena, constellations, and orbital mechanics into auditory experience through drone, speculative noise, and microsound aesthetics.
An interplanetary sound art piece selected by NASA for its OSIRIS-REx mission to asteroid Bennu. This work explores hidden vibrations and material irregularities through granular synthesis and field recordings, serving as a cultural artifact traveling through space aboard the spacecraft as part of a cosmic time capsule.
A meta-media performance software art system that transforms computer interfaces into landscapes of audiovisual entropy. Built with Autorun Pro, AudioMulch, and Plogue Bidule, this work exposes digital fragility through systemic failures and glitches as aesthetic strategy.
An acousmatic work exploring spatial contamination and acousmatic unconsciousness through colliding field recordings from distinct geographic and temporal points. This composition investigates hidden relationships between place, memory, and perception through advanced granular synthesis and multichannel spatialization.
An interactive AI sound installation developed at ZKM | Hertz-Lab that transforms listening into navigational agency. This generative, non-linear sound ecosystem allows audiences to actively reroute compositions in real-time using mobile devices, collaborating with AI-driven voices, granular synthesis, and planetary field recordings to co-create an ever-shifting auditory topology.
A spatial sound composition created for 48-channel immersive performance at ZKM Karlsruhe, functioning as "gravitational resonance in the architecture of space-time." This work translates cosmic phenomena, constellations, and orbital mechanics into auditory experience through drone, speculative noise, and microsound aesthetics.
An interplanetary sound art piece selected by NASA for its OSIRIS-REx mission to asteroid Bennu. This work explores hidden vibrations and material irregularities through granular synthesis and field recordings, serving as a cultural artifact traveling through space aboard the spacecraft as part of a cosmic time capsule.
A meta-media performance software art system that transforms computer interfaces into landscapes of audiovisual entropy. Built with Autorun Pro, AudioMulch, and Plogue Bidule, this work exposes digital fragility through systemic failures and glitches as aesthetic strategy.
An acousmatic work exploring spatial contamination and acousmatic unconsciousness through colliding field recordings from distinct geographic and temporal points. This composition investigates hidden relationships between place, memory, and perception through advanced granular synthesis and multichannel spatialization.