Hugo Paquete - CEEC-FCT Research | Post-Digital Sonic Media Art Podcast
AI as Catalyst Research Project (2024-2027)
CEEC-FCT research project at INET-md, University of Aveiro led by Hugo Paquete exploring AI's transformative role in digital performance and electronic music through the concept of the AI-Chimera, cybernetic ecologies, and post-techno aesthetics. This research investigates how artificial intelligence functions as a catalyst for reconfiguring practices, processes, and ontologies in contemporary artistic creation.
Research Concepts
- AI-Chimera: hybrid creative entity merging human and machine creativity
- Cybernetic ecologies: immersive sound worlds from human-data-algorithm intra-action
- Technological unconscious: exposing hidden architectures of control
- Data-sound: sonic manifestation of digital data structures
- Post-techno aesthetics: rhythm as systemic critique
Academic Podcast Series
This podcast operates as a speculative platform for theory-in-the-making, documenting the AI as Catalyst research project through explorations of post-digital sonic media art, biopolitical sonification, media archaeology, vibrational ecologies, and immersive sonic architectures. Each episode investigates sound as both artistic medium and research methodology in contemporary practice.
Methodological Approaches
- Biopolitical sonification as analytical framework
- Media archaeology of sound technologies
- Vibrational ontology and ecological sound relationships
- Immersive sonic architectures and spatial audio research
- Critical sound studies and auditory culture analysis
- Experimental composition as research methodology
- Artistic research in post-digital sound practice
Keywords
Hugo Paquete, CEEC-FCT, INET-md, AI as Catalyst, AI-Chimera, cybernetic ecologies, technological unconscious, post-digital sonic media art, academic sound research, biopolitical sonification, media archaeology, immersive installations, critical sound studies, sonic theory, artistic research, vibrational ecologies, experimental composition, sound art Portugal, acousmatic music, glitch aesthetics, ZKM, Absonus Lab, FCT research, Portuguese artist, post-techno, algorithmic systems, non-human agency, Karen Barad, Donna Haraway, immersive installations, sound art Portugal